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| GREEN
WIDE-BOWLED TAZZA |
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| Map
of about 1760 with approximate sites of the old London Glass-Houses |
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| TO |
| MY WIFE |
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| PREFACE |
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SEVERAL BOOKS have been written about
the craft of the collector
of old English glasses and about the craft of the dealer in
antiques,
but the history of the handicraft of glass-making has only received
cursory attention.
The history of glass-making in England is
dealt with from a col-
lector's point of view in Hartshorne's Old English Glasses;
it is briefly
noticed in Nesbitt's Handbook of Glass, and some valuable papers by
E. Wyndham Hulme on "English glass-makers of the sixteenth and
seventeenth centuries" appeared in the Antiquary towards
the end of the
last century.
Few genuine handicrafts remain, and the
handicraft of glass-making
is doomed, owing to the scarcity of recruits and the development of
machinery. The training required to equip a competent glass-blower
is
long and arduous, and the prospect of ultimate success is not
sufficiently
bright to attract youths to adopt glass-blowing as their trade.
Moreover,
training is less easily obtained now than in the past because many
simple
processes, which used to afford practice for learners, are now more
speedily and economically carried out by improved mechanical
appliances
and by machinery. A modern automatic bottle-making machine sucks
up molten glass from a feeding-tank and turns out finished bottles
con-
tinuously as long as the tank is supplied with glass, and the
machinery
is kept lubricated and adjusted.-- The last fifty years have
witnessed
greater changes in the glass industry than in any other. The
conception
of the material itself is changed; many of its physical and chemical
characteristics differing widely from those of a rigid solid.
Whereas the
varieties of glass, chemically distinct, could formerly be counted
on the
fingers of one hand, they are now numbered by the hundred. Rule-of-
thumb methods are yielding to scientific methods, primitive tools
are
being superseded by machines of great complexity, and handicraftsmen
by engineers and mechanics.
The foundation of the Glass Technology
Society in 1917, the estab-
lishment of a School of Glass Technology in connection with
Sheffield
University and the inauguration of a National Glass Research
Association
prepare the way for the speedy development of the industry on modern
scientific lines.
As the threatened handicraft possesses both antiquity and interest,
it may not be amiss to try to piece together the few records which are
now available in order to form a framework into which fuller information
can be fitted in the future.
I wish to make acknowledgments to the late Albert Hartshorne for
his friendship and for stores of information contained in Old English
Glasses; to Mr Francis Buckley for his generosity in placing at my dis-
posal the results of his long and laborious research; to Mr E. F. Chance
for his paper dealing with the history of the Spon Lane Works; to the
late Rev. F. S. Cooper for many facts about the Old Chiddingfold Glass-
houses; to Mr E. Thurlow Leeds for his assistance and for his pamphlet
on the "Dating of Glass Wine-Bottles"; to Mr J. A. Knowles of York
for several valuable suggestions, to Mr Wilfred Buckley, to Mr Dudley
Westropp, and to a long succession of able craftsmen at the old Whitefriars
Glass-house to whom I owe whatever practical knowledge of glass-making
I may possess. My thanks are also due to Mr Edward Arnold, to Messrs
Pilkington Bros., to the editor of the Nineteenth Century, and to the
proprietor of Country Life for permission to make use of illustrations
and articles.
H. J. P.
October
1922 |
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| POSTSCRIPT |
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IT is with deep regret that the publishers announce that the author did not live either to
see his book published or to witness the transference of the glasshouse, which was the
centre of his life's labour, to a new locality; the old Whitefriars Works, which for more
than two centuries rested under the shadow of St Paul's, having now been
removed to
Wealdstone, Harrow.
Mr Harry Powell's whole attention was focused
upon the craft of glass-making as
an English fine art and it was one of the regrets of his later years to note the passing of the
old-time craftsman. Modern conditions of education and industry call for new methods
of training, and with this end in view it was decided to remove the glasshouse to more
healthy surroundings, to take advantage of the latest developments in the science of glass-
melting, and to provide adequate means for the systematic training of young men in the
craft.
These plans have now materialised and although, as the Lord Mayor
pointed out at
a farewell visit to the old works, London has lost one of its ancient
landmarks, it is to be
hoped that the craft of glass-making will benefit by the change.
January 1923. |
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| CONTENTS |
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| I
ROMAN
GLASS IN ENGLAND |
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| II
GLASS-MAKING IN ENGLAND |
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| III
CONTEMPORARY RECORDS OF GLASS-MAKING IN ENGLAND, 1567-1700 |
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| IV
ENGLISH DRINKING GLASSES |
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| V
OLD ENGLISH BOTTLES AND FLINT GLASS DECANTERS |
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| VI
OLD LONDON GLASS-HOUSES |
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| VII
PROVINCIAL GLASS-HOUSES |
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| VIII
COLOURED GLASS |
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| IX
CAST PLATE-GLASS |
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| X
FLINT-GLASS |
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| XI
CUT-GLASS |
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| XII
THE EXCISE PERIOD |
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| XIII
THE INTERNATIONAL EXHIBITIONS OF 1851 AND 1862 |
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| XIV
EXTRACTS FROM THE NOTES OF A FLINT-GLASS WORKS MANAGER FROM 1875-1915 |
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| XV
GLASS-MAKING DURING THE WAR, 1914-18 |