| CHAPTER I | |||||||
| ROMAN GLASS IN ENGLAND | |||||||
| A
BIOGRAPHER examines the ancestry of the man whose life he records in order to trace the development of peculiar traits and talents. Similarly, in order to understand the technique of a craft its |
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| ancestry must be investigated. The technique of English glass-blowers can be traced back to the glass-blowers of Imperial Rome and to the Roman provinces of Syria, Egypt and Gaul. |
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| It does not appear that during
the Roman occupation glass-working, except the making of beads and, possibly, of small cups and bottles, was carried on in any part of the British Isles. It is claimed that at Wilderspool, near Warrington, the foundation of a Roman glass-furnace, together with fragments of glass and a piece of a crucible; have been dis- covered. The remains, however, are so insignificant that the glass-factory |
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| must have been of small extent. But even if Roman glass-works did not flourish in Britain, the vessels and fragments of vessels scattered broad- cast through the land prove by their technique how much modern glass- workers owe to their Roman predecessors. The similarity in form, and in chemical composition of Roman glass vessels, whether found in England, on the Continent, in Syria or Egypt, makes it probable that there were only a few centres of glass manufacture, and that the vessels were distributed from these centres through the whole empire. At Silchester and on the sites of other Roman settlements fragments have been found of window glass, both sheet and plate, differing but slightly in composition from that of modern glass. The moulds used for |
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| shaping vessels and for impressing patterns on their surface were as per- fect for the purposes for which they were intended as those of the present day. The handles of the Roman jugs and jars were perfectly constructed and scientifically attached (Figs. I and 2), the strain of leverage being amply allowed for. Spouts were formed as they are formed now, and seals or "prunts" of glass and coils and loops of glass-thread (Figs. 6 and 7) were added as forms of decoration. Pliny describes how patterns were cut by pressing the surface of vessels against revolving wheels of hard stone. At Wilderspool fragments of Roman glass, cut with patterns (Fig. 5), have been found ,and also a small stone cutting-wheel. In the British Museum is an almost colourless Roman glass cup (Fig. 4), cut with hexagonal hollows, which was found at Barnwell, near Cambridge. |
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| Roman cutting consists of patterns composed of lines and shallow concave hollows, circular, hexagonal or octagonal in shape. This shallow-cut |
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| decoration sufficiently brings out the brilliancy
of the material without distorting the outline of the vessel to which it is applied, and in this respect is superior to most modern cut decoration, in which grace of outline is too often sacrificed in order to secure brilliancy by deep cutting. Glass-making in England is therefore in debt to Imperial Rome for much of its technique and for the chemical composition of at least one of the many kinds of glass which are now made. |
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BLUE TINTED ROMAN GLASS |
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| The composition of the blue-tinted
glass, of which so many of the larger Roman jugs and cinerary jars are formed, throws an interesting light on Pliny's account of the discovery of glass. His attribution of the discovery to certain Phoenician merchants shipwrecked on the coast of Syria, near the mouth of the river Belus, may be inaccurate, but the development of a durable glass from the deliquescent silicate of soda, which the merchants found mixed with the ashes of their camp fires, is precisely and scientifically traced. If, as Pliny states, the cooking pots were supported on blocks of natron (impure carbonate of soda) the heat of the fire would bring about the combination of soda with the seashore sand, and the glass-like substance, silicate of soda, would be formed. Experience must soon have shown that sand and soda, alone, could not produce a stable, workable glass, and Pliny, in the chapter which follows the description of the wreck, states that "after a time a material called Magnes lapis began to be added." In a subsequent chapter five different kinds of Magnes lapis are described: "the fifth is white, resembles pumice powder, does not attract iron and is found in Magnesia." This undoubtedly is magnesian limestone, and no better material could have been introduced into the mixture of sand and soda in order to make a durable glass. Analysis shows that these are the materials from which the blue-tinted Roman vessels were made, and the preservation of the glass is sufficient proof of its durability. |
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"ANGLO-SAXON" GLASSES |
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| In the Museum of Saint Germain is a curious Roman glass vessel (Fig. 8 B), which is cup-shaped and has eight hollow excrescences or |
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| lobes, made like small spouts, but with the ends turned downwards and fused to the side of the cup. This little vase, for it is difficult to imagine that it had any domestic use except as an ornament, forms an important |
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| link between Roman glasses and the so-Galled "Anglo-Saxon" glasses which have been found in Anglo-Saxon graves of the sixth anti seventh centuries of our era. There are several varieties of these glasses but the most important are from six to nine inches in height, have small bases, threaded mouths, and a number of hollow spout-like lobes, formed like the lobes on the Roman cup in the Saint Germain's Museum. (Fig. 9.) Similar vessels are found in graves of the same period in France and Germany. Roman technique survived in certain parts of Germany, notably in the Cologne district, and from this centre the vessels may have found their way to England as well as throughout the rest of Europe. In England the largest number of Anglo-Saxon glasses have been found in Kent, which provided the most convenient landing-places for imports from abroad, but specimens have also been found near Cam- bridge and Oxford as well as in Northamptonshire, Suffolk and Sussex. Associated with the "lobed" glasses are various forms of drinking vessels. There are simple bowl-shaped cups, similar to some depicted in the Bayeux tapestry; conical and trumpet-shaped tumblers, ornamented with long loops of glass-thread (Fig. 10), and spindle-shaped vessels with threaded mouths and notched strings or tears of glass running nearly their full length (Fig. 12). The notched strings or "tears," as well as the hollow lobes and the threaded necks, are survivals of Roman technique. Some of the simple bowl-shaped cups may have been of local manu- facture. |
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